BLAM!!! is the sound of things to come. Blam!! is the soundtrack of the unknown, a call to arms on behalf of free thought, creativity and justice. Blam!!! is the abstrakt metabopilicious, also known as the elegant jazznoise (sound as feeling.) BLAM!! is the Broun Fellinis’ 9th release in a 20 year span and it reveals further sonic evidence of the Boohaab in top form, their collective thought process stretching sound outward and beyond the normal Status Quo pop song constraints.  Recorded in one afternoon, BLAM!!! is Post-modern space jazz, dub, rock, noise, analog/ digital sound design, kosmik funk; the sound of things to come. Kevin Carnes and Kirk Peterson form a rhythm section that is equal parts groove generator and space time distorter. Together, they weave a dense, multi-directional tapestry of angular beats, tectonic basslines and rhythmic atmospheres which are haunted by the exploratory, brooding tenor saxophone of David Boyce, a true conjuror of late night smoke, dark obsession and spiritual redemption. He utilizes an extensive efx rig to channel otherworldly textures and tones, afrohorn synthesis redefined for the listener. Yes, BLAM!!! is the sound of your soul tuned up by the divine idea of Jazz Music, the gift given by the Boohaab to the children of Soulogik. Now hip somebody else.
Kevin Carnes is a drummer, percussionist, composer, and producer with a musical palette that began with punk rock, journeyed through avante jazz and ventured into hip-hop, classical, popular styles, and African rhythms. His signature aesthetic blends elements of his broad range of influence with the sounds of life in the city into an impressionist symphony of groove, noise, pop and jazz.
Carnes has been working in the Bay Area for nearly 25 years, and is widely considered a top call drummer. He continues to expand his acoustic/electronic percussion orchestra of samples, beats and compositions, as well as honing his skills as an engineer, producer, and media artist. Carnes has performed and recorded with George Clinton and the P-Funk Allstars, Bernie Worrell and the Woo Warriors, Lady Miss Kier of Dee Lite, Dr. Fink (Prince), Jerry Harrison (Talking Heads), Shaunna Hall of 4 Non Blondes, and Radioactive of Spearhead fame.
Carnes is a founding member of San Francisco jazz roots trio Broun Fellinis, and The Beatnigs, a political punk noise band featuring Michael Franti of Spearhead.
Other projects include City Circus (a bay area circus arts organization) of which Carnes is musical director and co-writer with Brandi Brandes, UAF, Black Quarterback, Katdelic, PC Munoz and the Left Hook.
  The Nice Guy Trio is Darren Johnston on trumpet, Rob Reich on accordion, and Daniel Fabricant on bass. Their sound is a unique mix of roots and innovation, of soulfulness and humor. In concert they focus on their own original compositions, occasionally adding songs by jazz greats, by their favorite local composers, or pieces from various folk traditions.
Founded in 2007, the “Nice Guys†have performed in venues big and small, from local organic gems like Jazz at Chez Hanny and the Café Royale, to classic institutions such as The Monterey Jazz Festival, The Great American Music Hall, Yoshi’s, the Yerba-Buena Garden Festival, and for SF Jazz’s “Summerfest,â€
During their first year, the Red Poppy Art House hosted the Nice Guy Trio for a five-month-long residency called the “Root Exchange.†Each month a different collaborative concert was programmed, featuring special guest artists from radically different musical backgrounds, and a constant stream of new compositions by members of the trio and by its’ guests. Guests included Sameer Gupta on tabla, Ben Goldberg on clarinet and contra-alto clarinet, John Schott on electric guitar, singer-songwriter Meklit Hadero, David Phillips on pedal steel, Smith Dobson V on both drums and vibraphone, Dina Macabee on violin and Alex Kelley on cello. The series was concluded with a very successful concert presented by Intersection for the Arts at the De Young Museum. Almost all of the guest artists from the series were able to attend, and together they played as one large ensemble as well as in various smaller combinations. The following week the Nice Guy Trio concluded their first season by being awarded the SF Weekly award for “best jazz/blues band,†before taking a hiatus to record their first CD and travel with various other projects.
Year two found the Nice Guys continuing the “Root Exchange†series, thanks to a generous grant from the San Francisco Friends of Chamber Music. Season Two included singer/songwriter Katy Stephans, piano visionary Myra Melford, saxophonists Kasey Knudsen and Evan Francis, Brass Menazeri founder Peter Jaques, and percussionists Dave Mihaley, on marimba and drum-set, Faisal Zedan on derbakki and riqq, and Michele Simons on tupan. The season was concluded at the De Young Museum, and featured a commissioned piece with all the instrumentalists involved, inspired by a work in the museum’s permanent exhibit. Two weeks later, the Nice Guy Trio celebrated the release of their new CD on Porto Franco records at Yoshi’s jazz club in San Francisco.
Most recently the Nice Guy Trio completed two commissions from the Yerba Buena Garden Festival, both of which are multi-movement song cycles for the trio with string quartet - Rob Reich’s “Sidewalks and Alleys,†and Darren Johnston’s “Waking Music.â€Â The string quartet features Mads Tolling and Anthony Blea on violins, Dina Macabee on viola, and Mark Summers on cello.Â
Broun Fellinis
Black Quarterback
 Nice Guy Trio
Café DuNord
2170 Market Street
www.cafedunord.com
Doors at 7:30 pm Show at 8 pm
$15
Mark Growden is a singer, writer, multi-instrumentalist, composer, record producer, visual artist, and the artistic director of the Marigny Opera House in New Orleans, LA. Growden has released several critically acclaimed albums, including Saint Judas, which was awarded “2010 Rekkid of the Year†by music blog Stash Dauber and ranked in the 2010 Village Voice Critics Poll. Growden has toured the the US extensively, performing at venues such as the The Fillmore, Cowell Theater, and Great American Music Hall in San Francisco; Snug Harbor in New Orleans; and The Knitting Factory and Tonic in New York. Mark has composed original musical scores for a number of Dance and Theater companies, including Joe Goode Performance Group and Alonzo King’s Lines Contemporary Ballet, with whom he and his collaborators won the Isadora Duncan Award for Best Original Score for a New Dance Piece. He has scored several films, including Blood Tea and Red String, which won Best Animation at both the San Francisco Independent Film Festival and the Fantasia Film Festival in Montreal.
