Songbird Presents – April 2012 Amnesia Shows at a Glance


Early Show at Amnesia – Saturday, April 7, 2012

Early Show at Amnesia Music Hall  853 Valencia Street – 5-8:30 pm

$7-10 Cover

Renee de la Prade – www.squeezeboxgoddess.com/

Solo set by Xandra Copra from Con Brio – www.thebandconbrio.com

Hawk and The Girl featuring members of Family Folk Explosion – https://www.facebook.com/#!/FamilyFolkExplosion

 

Late Show at Amnesia – Saturday, April 7, 2012

Late Show at Amnesia Music Hall  853 Valencia Street – 9 pm – Close

$7-10 Cover

The Disposition – https://www.facebook.com/messages/767464623#!/thedispositionmusic

Slow Motion Cowboys –

https://www.facebook.com/#!/profile.php?id=100000281116784

Betsy and Beau – ~ https://www.facebook.com/BetsyandBeau

 

 

Early Show at Amnesia – Saturday, April 15, 2012

Early Show at Amnesia Music Hall  853 Valencia Street – 5-8:30 pm

$7-10 Cover

 
Patsychords
https://www.facebook.com/events/110872742375850/#!/pages/The-Patsychords/159262327443335
The Gold Diggers
https://www.facebook.com/TheGoldDiggersRock?sk=info
The Ps and Qs
http://www.myspace.com/psqsimonit

 

Late Show at Amnesia – Saturday, April 15, 2012

Late Show at Amnesia Music Hall  853 Valencia Street – 9 pm – Close

$7-10 Cover

Vagabondage – https://www.facebook.com/pages/Face-The-ITCH/284708248240952?ref=ts#!/vagabondageband

The Bodice Rippers – https://www.facebook.com/natalie.ribbons#!/thebodicerippers

The Gomorran Social Aid Pleasure Club – https://www.facebook.com/#!/pages/The-Gomorran-Social-Aid-Pleasure-Club/106797929359839

 

Early Show at Amnesia – Saturday, April 21, 2012

Early Show at Amnesia Music Hall  853 Valencia Street – 5-8:30 pm

$7-10 Cover

 

Songbird Presents Early Show at Amnesia – Uni and Her Ukele CD Release Party for Lovers  Cliché + More music from + Jascha Hoffman ++ The Pan Handlers

The Pandhandlershttp://www.facebook.com/panhandlers

 

Uni and Her Ukele  – https://www.facebook.com/messages/1301661941#!/heather.m.ellison

Jascha Hoffman – https://www.facebook.com/messages/1301661941#!/jaschahoffman

Posted in Accordion, Americana, Amnesia, Blues, events, Indie, Kamp Americana, Rock and Roll, SeaweedSway, songbird festival presents, Songbird Presents, The Disposition, The Gomorran Social Aid Pleasure Club, Uncategorized | Tagged , , , , , , , , , , , , , | Leave a comment

Saturday, March 24, 2012 – Amnesia Late Show – Makru Musica, Ye Ye Suarez and The Anita Lofton Project

Songbird Presents:

Late Show at Amnesia – Saturday, March 24, 2012

Late Show at Amnesia Music Hall  853 Valencia Street –

10 pm – Close

$7-10 Cover

 

Makru Musica

 

Landing in San Francisco from different parts of the world, various characters got together for different motives, goals and because it had to be that way, at the end of 2008 the became Makrú, a musical tool to express their points of view, ideals and support the causes they believe in, chasing equality and unifying people along the way . With influences of anything that can shake it Soul, Makrú sounds like smashing the earth and play it on a record player. Diana Gameros from Mexico, an amazing voice trained in Mexico & U.S, also an incredible composer and guitarist. Raúl Vargas from Madrid, fed by Spanish art and at the age of 20 left to collect music and knowledge around the world learning, guitar, cajón,, different percussions, didjeridoo, and more… with his compadre Javi Monge, from Barcelona who ended up in la Habana, Cuba dedicated to percussion under the wing of Yaroldi Abreu the amazing percussionist for Chucho Valdés among others. Vinicio Peñate raised equally In U.S and El Salvador brings the Cumbia-reggae-rock flavor that fits perfectly with the Californian drum set of Bob Sanders, who didn’t have enough and got himself also into flamenco guitar world. All this highlighted by the magical flute and melódica of, the called “Fantasma”. Issac Weiser, multi instrumentalist, born surrounded by musicians in Washington State U.S

 

YeYe Suarez
 yeyesuarez.com         

Songstress and dancing storyteller Johanna Suarez “YeYe” is first and foremost a living being just like you. Probably with very different characteristics, but in essence one breathing being. What she does is rooted in community leadership and organizing to promote family and youth participation in their communities. As an interdisciplinary artist and arts-educator she incorporates traditional dance and music from the African Diaspora in Latin America, original poetry, theater and lyrical compositions into a performing journey of emotions in search of collective healing and unification.

Her work researches the importance on understanding roots and ancestry while creating history for the generations to come. The inspiration of her work is deeply rooted on women of color, immigrant life stories and the African Diaspora in Latin America and the Caribbean. She collaborates with various artists of all age ranges, musical genres and artistic talents. YeYe’s lyrical and melodical compositions are complemented by the incredible musical arrangements done by prestigious musicians such as Braulio Barrera, Felipe Pumarada, Miguelito Martinez, Diana Gameros, Jeremy Allen, Viviana Guzman and Miton Villeda.

 The Anita Lofton Project

 

 

 

 

 

 

 

 

 Anita Lofton
With her former rock trio Sistas In the Pit,  she toured China and Europe, and took an infamous national tour supporting a certain James “Iggy Pop” Osterberg and the Stooges during that band’s reunion in 2007. She claims to have “traded in her Marshall half stack and Epiphone semi hollow body casino for a microphone and an Epiphone acoustic guitar,” yet she’s got the rock in her blood. With Anita’s new minimal and acoustic approach she expresses a new direction in songwriting that is as candid, earnest, cool and assertive while seeking greater understanding of others and cloaking sentiment in attitude. Her newest creation is The Anita Lofton Poject, an all brown girl stringed instrument band that plays Neo-Black-Folk, and they rock!

 

 

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Saturday, March 31, 2011- Early Show at The Make Out Room – Fat Opie and Welcome Matt

 

 

 

 

 

 

 

 

 

 

THE WELCOME MATT

 

 

What does singer/songwriter Matt Langlois, A New England native turned San
Francisco resident, indie rock folk singing song writer poet do after
playing in 5 different bands, wandering the earth, performing in endless
cafés, bars, living rooms, clubs, working construction, setting tile,
surviving the San Francisco underground party scene, releasing seven CD’s
(5 as The Welcome Matt/2 with Hey!Brontosaurus) and investing every dime
into music to the verge of bankruptcy?

He starts a musical project called Members of Sound, releasing a song a
month over 2 years, teams up with hotshot San Francisco music booker KC
Turner and begins collaborating with well established dance choreographer
Christine Cali/CALI & CO dance on a full length dance/music performance
extravaganza called Move Thru Me.

Members of Sound started out as just another late night idea on tour in
West Hollywood. Now over 2 years down that road, the project has more than
fulfilled Matt’s main objective; to stay creative and tell the tale of the
musician’s journey. Members of Sound songs have been downloaded all over
the world and have caught the attention of many, including, Peter Finch’s
“FOG FILES” on KFOG 104.5, San Francisco Bay Area’s biggest radio station.
KFOG has also has included “That I Can Do” a fan favorite and also a
collaboration with choreographer Christine Cali on the stations 2011
summer local scene CD with other local favorites such as The Mother Hips.
The Members of Sound song “Move Thru Me” was the title and theme of a
3-day dance/music performance in San Francisco’s Mission Theatre in
February 2011.

After playing 100 some odd gigs, creating a duet and video for “You Are
The Chords” with singer/songwriter Megan Slankard, working with 20
different musicians and an array of producers who have worked with artists
such as Four Non-Blonds, Dan The Automator, Train and Galactic, The
Welcome Matt’s Members of Sound has neared the finish line, with a sold
out performance at San Francisco’s favorite hipster live music venue Café
Du Nord, yet the endeavor is far from over. In addition to all 24 MEMBERS
OF SOUND singles being released on CD’S VOL 1-13 and VOL 14-24, a
conceptual Members of Sound CD with bonus tracks and special guests is in
the works for 2012, along with new videos, and national tours.

“Matt has found the secret to truly personable songwriting. Evoking the
Beatles circa Rubber Soul with a little Ray Davies and a little Cake as he
drifts somewhere between Wilco’s Jeff Tweedy and Bob Dylan, mastering a
sense of expert lyrical spacing and rasping dreamy opinion.”
Indiemusic.com

“In San Francisco,” a track from his second solo record, “Empire Days,”
was picked up by Triple AAA megastation KFOG and featured on their 2004
Summer Sampler, alongside Michael Franti of Spearhead and Matt Nathanson

FAT OPIE

With four full-length cds, tours, airplay and press, Bay Area band FAT OPIE continues to invent and reinvent what can be termed “Americana”. From the modern, electrified dynamics of their third release Airstream to the acoustic, live-performance record Otis. Their Don’t Want To Be Gay In Texas is now a staple in their set list.

Successes include their song Bullets in My Briefcase winning a national band search sponsored by 7UP/SONICNET(MTV). This included a prize of $15,000. The song Mouth Like a Trucker was featured in the motion picture ALONG THE WAY.

The music stopped for several years when singer/songwriter Scott Mickelson became seriously ill. During that time bassist Robin Hildebrant began building his own recording studio. Inspired by the new possibilities, Mickelson started writing their strongest material to date. Their first new single released New Orleans, led to a distribution deal and a re-release of their growing catalogue.

Both FAT OPIE and Scott Mickelson perform regularly as they finish their upcoming full-length Victoryville.

DISCOGRAPHY

Said + Done (single)

New Orleans (single)
Otis
Airstream
Hipsters, Freaks, Fags & Homeboys

Biscuits
A&R Unlimited’s Special Edition CD

Hurricane Healing Vol. 70

Hurricane Healing Vol. 67

MEDIA QUOTES

 “It’s American folk-Rock with a post punk edge, rustic but scarred.” – Alternative Press Magazine

 “Fat Opie’s music is so catchy and tight, it’s surprising the band is still playing venues as small as this one.” – San Francisco Weekly

 “Fat Opie completes this trio of national-quality acts with a set of tunes that is more overtly rock even if they make use of banjos and mandolin. They successfully translate a modern sensibility.” – Willamette Weekly

 

3225 22nd Street, SF, CA 94110

Doors at 7:30 pm, $8 Cover

Make Out Room Show Advance Info
Show Date: 3/31/12
Cover $8

SET TIMES
7:50-08:30 Fat Opie
8:50-09:30 Welcome Matt

Posted in Rock and Roll, songbird festival presents, Songbird Presents, Uncategorized | Tagged , , , , , , , , , | Leave a comment

Early Show at Amnesia – Sunday, February 19, 2012

Songbird Presents:

Early Show at Amnesia – Sunday, February 19, 2012

Early Show at Amnesia Music Hall  853 Valencia Street – 5-8:30 pm

$7-10 Cover

Posted in Uncategorized | Leave a comment

Late Show at Amnesia – Sunday, February 19, 2012

Songbird Presents:

Late Show at Amnesia – Sunday, February 19, 2012

Sioux City Kid Acoustic Set –

The Disposition – https://www.facebook.com/momoscheeskos#!/thedispositionmusic

Late Show at Amnesia Music Hall  853 Valencia Street – 9 pm – Close$7-10 Cover

Posted in Uncategorized | Leave a comment

Late Show at Amnesia – Saturday, February 25, 2012

Songbird Presents:

Late Show at Amnesia – Saturday, February 25, 2012

Brass Menazeri and More  – brassmenazeri.com

Late Show at Amnesia Music Hall  853 Valencia Street – 9 pm – Close$7-10 Cover

Posted in Uncategorized | Leave a comment

Saturday, February 25th – Happy Hour Event – Songbird Presents – Book Release Party: variously, not then by Travis Ortiz

 Saturday, February 25th

Free Event at Amnesia Music Hall  853 Valencia Street – 5-8:30 pm

 

varioulsy, not then by Travis Ortiz

Featuring Travis Ortiz reading from the new book

And music by San Francisco’s very own

DFTram (Ambisonic, Sound Capsule, dftram.com)

Mike Bee (Vinyl Dreams)

 

BIO

Travis Ortiz is a writer, visual artist and DJ living in San Francisco, California. He is the author of Geography of Parts (Melodeon Poetry Systems), and his work has been published in Bay Poetics, Chain, Salt, WOOD (www.medusa.org/wood/), Mirage #4/Period[ical], and Poetics Journal. Travis’ new ambient CD compilation with the Ambisonic collective, Chillout, includes his collaboration with Databass (Sean Abreu) featuring text from variously, not then. Travis founded the press ghos-ti, which highlights the visual aspects of poetry. He is also the co-director (with Lyn Hejinian) of Atelos, a literary project commissioning and publishing cross-genre work by poets.

 

Thoughts On Travis Ortiz: 

“Written, designed and typeset by Travis Ortiz, variously, not then is a confoundingly complex cross-genre work touching upon meaning, loss, memory and return. Part-prose, part-poetry, part-essay, part-aphorism, part-philosophy, part-graphic design, the writing folds in upon itself instantly twisting from one morphology to the next. Vexing and brilliantly beautiful.”

—John Zorn

 

“This dazzlingly designed book opens up into a linguistic density that holds its weight in thought’s recalcitrant measures, as if poetry once again had substance sufficient to hold its own against all comers and the no-shows too.”

—Charles Bernstein

 

“Through variously, not then’s mode of elegant abstraction, Travis Ortiz recesses the particulars of what is known to foreground a deontological episteme: here percept is processed as becoming-ethical, becoming-political; watching as witnessing; place as public. As Ortiz obsessively truncates narrative trajectory at the level of the sentence through a nearverbless, uncompleting syntax that nonetheless bears the heft of aphorism, he defines and valorizes experience as the recursive, analytic motion of a mind inventorying and weighing circumstances never fully fleshed for the reader and likewise withholding assessment and practical action from the conscientious consciousness displayed. variously, not then thus trades clean aporia for a suspension that layers the transversal trackings of the mind as it cannily, subtly accounts stakes behind stakes; it portrays a longing for detachment that would make interpretive moral cognition less painful if not for its shadowing of language’s privative disconnect as it fails to touch emergency. Perhaps as Ortiz works to re-invent disinterested humane engagement, he creates a new category of political time, intruding a third term into the duo of chronos and kairos: this temporality of the re-circulation of repeated words is not circular but seems instead to gather folds such that chronos puckers and warps and kairos recedes behind or ahead of the horizon. variously, not then admirably captures a current feeling of unrest and unease at its most vigilant and self-aware, awaiting the disclosures of decisions whose absconded agency, in Ortiz’s treatment, both speaks the complexities that enmire it almost beyond retrieval and eloquently begs its recovery.”

—Judith Goldman

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Live at Amnesia – Sunday, January 22, 2012 – Songbird Festival – Band Feature – Blind Willies

Blind Willies: Gospel revised by pimps, poets

 

 

 

Late Show at Amnesia Musica Hall 853 Valencia Street – 9 pm to Close $7-$10 Cover

 

 

Featuring The Jean Genies: David Bowie Tribute, Blind Willies, Whisky Pills

Posted in Amnesia, Blind Willie, Blues, events, songbird festival presents, Songbird Presents | Leave a comment

Songbird Series – Bird Branch Interviews – Skyler Fell

Click here for interview with Ginger Murrary.

About Accordion Apocalypse

 
Accordion-

 
The accordion is a musical instrument of the handheld bellows-driven free reed aerophone family, sometimes referred to as a squeezebox.
The accordion is played by compressing and expanding the bellows, while pressing buttons or keys to allow air to flow across reeds, thereby producing tones and chords.
http://en.wikipedia.org/wiki/AccordionApocalypse-
(literally: the lifting of the veil), is a term applied to the disclosure to certain privileged persons of something hidden from the majority of humankind.
http://en.wikipedia.org/wiki/Apocalypse
Main PersonalPicture
Skyler Fell is an accordion repairwoman, tuner, sales person, inspirator, and teacher at San Francisco’s Accordion Hub, The Accordion Apocalypse Repair Shop. Professionally trained by master craftsman and accordion builder, Vincent Cirelli of Cirelli Accordion Service, and Boaz of the former Boaz Accordions. Skyler offers accordion sales & online store, tuning & repair, accordion workshops, and admission to the San Francisco Antique Accordion Museum. Available by appointment.
Skyler also performs with many groups of talented friends, as “The HoboGobblins”, HUMANWINE, and also assorted trio’s and circus troupes. She has played many venues including Slims, Amnesia, The DNA Lounge, The LA Accordion Festival, The SF Accordion Festival, The High Sierra Music Festival, Burning Man, The San Francisco Accordion Club, Silicon Valley Accordion Society, Circo Romani at Cellspace, Lucid Dream Lounge, The Dreamtime Circus, The Autonomous Mutant Festival and the world famous Cotati Accordion Festival. She can also be found playing at local street parades, bart stations, and farmer’s markets. She is currently working on putting a new SF Accordion Festival together in 2010 to host awesome accordion bands and fans, and bridge the gap between accordionists in the bay area.How the Accordion Apocalypse Started:
In the late 90’s after seeing talented musician Danyella aka. The Little Prince in the awesome all girl psycho cirkus punk band “Cypher in the Snow” at 924 Gilman Punk Rock Collective in Berkeley. I was hooked. “Where do I find such a beautiful and emotion producing instrument?….and so close to my Ukranian roots.” I soon stumbled upon the wonderful “Boaz Accordions” on Sacramento St., and asked if I could do a “work/trade” cleaning and organizing accordion reeds by pitch for my first accordion lessons and a borrowed a little accordion to practice on.
Later I visited Europe, and stayed with Danyella at this amazing squat and played at a free winter circus class, in Amsterdam. At the school we practiced and learned juggling, playing accordion, massive jump ropes, stretching, unicycle, and all kinds of fun stuff. We would go out and busque on the squares and busy streets. What new exhilirating joy!Upon my return to the Bay Area, I found a broken accordion in the Cyclone warehouse in the industrial district of San Francisco. I new exactly where to take it! I again visited Boaz Accordions at their new larger location across the Bay, and asked for a repair estimate. Then I started a payment plan bringing them $20/week for my first accordion repair. After a cordial visit from me every week, and learning of our shared metalworking background, interest in fixin’ stuff, and love of Klezmer music, eventually Boaz Rubin took me under his wing and offered me an accordion repair apprenticeship. Boaz and Judy Rubin put me to work turning little tiny brass buttons on the jewelers lathe for a concertina, doing bellows repair, and refreshing the wax and leathers on older accordions.One year later, Boaz got offered a job in Richmond, Virginia working with “Hohner”, and left quickly to take the job. I helped the Rubin’s move and worked with them 24 hours a day 7 days a week to pack up both their shop and home. Since they left years ago, I have continued to service the accordion community by opening The Accordion Apocalypse Repair Shop. Where I take appointments, do all kinds of accordion repairs, tuning, and teaching. In addition I study 2 to 4 days a week with my mentor, 87 year old accordion builder Vince Cirelli. I have found passion in the accordion and the friendly surrounding community and work hard at my accordion shop “The Accordion Apocalypse Repair Shop”, blossoming since the move out of a farm house garage in Oakland, into a larger better suited warehouse studio right by Candlestick Park in San Francisco’s Bayview District (Open January 2006).

Since at the Bayview location, The Accordion Apocalypse Repair Shop has expanded to include a large showroom with both new and used accordions and accessories, an online store, museum cases with beautiful antiques, a well organized repair center, group workshops and rentals for beginners, racks of books and sheet music to peruse. Specialties include antique re-builds, and small sized piano accordions.

For the past 3 years Skyler has been studiously apprenticing with Vince Cirelli. Here is some interesting information about this talented, amazing, and warm hearted accordion hero.

Skyler’s Mentor Vincent J. Cirelli of Cirelli Accordion Service-
Master craftsman Vincent Joseph Cirelli began to develop his skills early while growing up in the North Beach District of San Francisco. In 1920, the year of his birth, North Beach was considered the hub of the accordion culture and San Francisco was the center of a flourishing accordion manufacturing industry. Vince remembers the accordion factory of Guerrini & Company located within walking distance from the house where he lived as a young boy.

His informal introduction to the instrument began at the early age of ten. He recalls the sound of an accordion emanating from an open window while playing outside one day. “I liked the melodic sounds that I heard coming from the accordion”. Shortly thereafter, he began accordion lessons with Emilio Civita, a graduate from the Conservatory of Music in Milano, Italy.

By age 12, his growing enthusiasm for music and dedication to the instrument caught the interest of Faust Piatanesi of Colombo & Sons. Vince was offered a part-time job after school, and with his father’s permission began working as a shop helper at Colombo & Sons Accordion Corporation. This event would eventually direct young Vincent’s future to the accordion making industry.

During his attendance at Galileo high school in San Francisco, Vince continued to develop and refine the skills crucial in becoming an accordion maker. Attending both day and evening classes at Galileo’s woodworking and cabinet shop, he utilized every available resource for making accordion parts. Upon graduating in 1939, Vince once again returned to Colombo & Sons. This time however, working alongside master craftsman Mario Zanoni, Angelo Pietri, Chuck Zanoni, and master tuner Eric Gylling.

Returning home after serving four years in the U. S. Coast Guard, Vince established Cirelli Accordion Service in 1946. Initially, he began making accordion parts including bass and treble shells for Pacific Accordion. Later that year, Caesar Pezzolo, the well-known composer and teacher, appointed Cirelli Accordion Service to upgrade his imported accordion line specifically for the American market. The design revisions incorporated by Vince greatly improved the instrument and these changes were communicated to the factory in Italy. The accordion, La Melodiosa, was a success and considered by many artists, one of the finest accordions produced at that time. Vince also managed to complete the first of seven Cirelli accordions later that year. Deciding to “road test” his new instrument, he signed with the popular train tours of that time to entertain onboard while traveling across America.

Married in 1949, Vince moved his expanding business to another location in San Francisco. He focused primarily on repairing, tuning, and teaching the accordion. Contracted through West Coast Wholesale Music, H. C. Kessler, and Pacific Music Supply Co., Vince inspected and serviced virtually every new Frontalini, V. Soprani, and Galanti accordion received by these companies. If you have ever played or currently own one of these instruments from the bay area, chances are that the master craftsman himself subjected it to a thorough going-over.

In 1963, world-renowned recording artist, Michael Corino introduced Vince to Lee Deiro, owner of Pietro Derio Publications of New York. After several discussions, Cirelli Accordion Service became the exclusive West Coast distributor for Pietro Deiro Publications, one of the world’s largest accordion music publishing houses. That same year Mario and Edward Pancotti, of the Excelsior Accordion Company, established a full service bay area dealership through Cirelli Accordion Service. Vince sold and serviced the Excelsior accordion line to many fine musicians and recording artist for more than twenty-seven years.

Today, nearly sixty years later, this great-grandfather amazingly is still very dedicated to his enduring career with the accordion. He continues to provide the same high standard of specialized service including restorations of unique historical instruments. Vincent J. Cirelli is truly a master craftsman and many people throughout the entire accordion industry recognize him.

“I am eternally grateful to the San Francisco pioneers of the accordion manufacturing industry. Without their generosity and support I would not have been able to learn this fascinating trade. My life has truly been enriched by the many talented artist and kind friends that play this remarkable instrument.” – Vincent J. Cirelli

Posted in Accordion, Americana, songbird festival presents, Uncategorized | Leave a comment

Early Show, Sunday, January 22, 2012 – At Amnesia

 

 

Chris Jones

Matthew Welde

Bill Cramer and The Shared Land

Early Show at Amnesia Musica Hall   853 Valencia Street – 5-8:30 pm, $7-$10 Cover

Posted in Amnesia, events, Indie, Rock and Roll | Leave a comment